Reading for method
- Analyse how a poet shapes meaning, not just what the poem "says". Cover form, structure and language and always link method to meaning and effect (AO2).
Form
- The type of poem (sonnet, dramatic monologue, ode, elegy, ballad, free verse) and its conventions; the speaker/persona (not the poet); tone and voice.
Structure
- Stanza form, line length, enjambment vs end-stopping, caesura; volta (a turn in argument, e.g. line 9 of a Petrarchan sonnet); patterns of development, cyclical vs linear movement, and how the ending reframes the poem.
- Metre and rhythm (iambic pentameter, trochaic, spondaic stress) and rhyme scheme - regularity vs disruption to mirror meaning.
Language and imagery
- Semantic fields, imagery (metaphor, simile, symbolism, personification), sound (alliteration, assonance, sibilance), diction/connotation, and ambiguity. Analyse patterns, not isolated devices.
Building an argument
- Move from close reading to a conceptualised argument about the poem's ideas, supported by embedded quotation and precise terminology.
Analyse form + structure + language together and always land the "so what": how the method shapes the reader's response and the poem's meaning.
Diagram
Core idea
Key details
Worked example
Exam application
Definition
Evidence
Explanation
Conclusion